Showing posts with label potentiality. Show all posts
Showing posts with label potentiality. Show all posts

Friday, July 4, 2025

“A Nietzschean Exploration of Zardoz (1974): Nihilism, Technological Dominion, and Vital Affirmation”

“A Nietzschean Exploration of Zardoz (1974): Nihilism, Technological Dominion, and Vital Affirmation”

Zardoz (1974), John Boorman’s philosophical cinematic allegory, portrays a post-apocalyptic schism between the immortal “Eternals,” secluded in their technological utopia of the “Vortex” under the dominion of the “Tabernacle”—an omniscient artificial intelligence (AI) —and the mortal “Brutals,” subjugated by the illusory deity “Zardoz.” The narrative pivots on the revelation that Zardoz is a fabrication crafted by the Eternal Arthur Frayn to control the Brutals, a deception unraveled when Zed, a Brutal warrior, kills Frayn and destroys the Tabernacle, forcing the Eternals to confront their mortality. Despite its somewhat dated aesthetic-cinematic presentation, the film is imbued with a considerable degree of philosophical depth, the as it engages Friedrich Nietzsche’s reflections on the death of God, the Übermensch, eternal recurrence, and the perils of apathy, using the collapse of the Zardoz myth to explore humanity’s struggle with nihilism and the tension between embracing existence and succumbing to existential torpor. By addressing the enervating effects of artificial intelligence and digital omnipresence, coupled with an examination of life-extension and synthetic biological engineering (AL or Artificial Life), Zardoz (1974) urges contemporary audiences to resist technological apathy and embrace creative agency.

The death of God, Nietzsche’s seminal diagnosis of modernity, finds vivid expression in the exposure of Zardoz as Arthur Frayn’s artifice. In Thus Spoke Zarathustra (1883–1885), Nietzsche proclaims, “God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers?” This heralds the disintegration of all previous transcendental frameworks, thrusting humanity into a meaning-challenging nihilistic void. The revelation that Zardoz is a constructed deity, designed to manipulate the Brutals, mirrors this collapse, exposing the divine as a hollow instrument of control. The Tabernacle, sustaining the Eternals’ languid immortality through biosynthetically “regenerating” the bodies of the Eternals so that physical bodily death is impossible, embodies the god of the “last man,” who “blinks” and seeks only comfort, security, and the certainty of ever-lasting life. The Eternal's ennui, a consequence of the Tabernacle’s digital omnipotence and omniscience, reflects Nietzsche’s critique in On the Genealogy of Morality (1887) of cultures “weary of themselves,” bereft of creative dynamism due to the elimination of, and control over, the very conditions which challenge humanity and enable human beings to evolve and adapt to their environment. Zardoz (1974) warns against yielding to technological constructs that promise technological power and control over life but instead fosters existential paralysis. 

Nietzsche’s distinction between life-affirmative and life-disaffirmative impulses underpins the film’s exploration of nihilism and redemption. In The Birth of Tragedy (1872) for example, Nietzsche contrasts the Dionysian, marked by vitality, creativity, and an embrace of existence’s chaos, with the Apollonian, which, when unchecked, leans toward order, rigidity, and detachment. The life-affirmative impulse, rooted in the Dionysian, celebrates existence in all of its disorder and chaos, and celebrates the intensity of involvement and attachment (desire), despite its suffering. Conversely, the life-disaffirmative impulse, akin to the “last man’s” apathy, recoils from life’s intensity, seeking solace in certainty and stagnation. In Zardoz (1974), the Eternals epitomize this disaffirmative stance, their immortality rendering them listless and disconnected, as seen in their aimless debates and psychic distractions. The Brutals, by contrast, embody a raw, if undeveloped, life-affirmative vitality, their mortal struggles fueling a primal drive absent in the Vortex. The destruction of the Tabernacle disrupts the Eternals’ technologically induced stasis, forcing them to confront mortality and the potential for renewed engagement with existence, though the film leaves ambiguous whether they fully embrace this shift.

In the film, Zed emerges as a figure of the Übermensch, a counterpoint to the Eternals’ apathy, embodying Nietzsche’s vision of the individual who forges meaning amid nihilism’s life-disaffirmative ruins. The narrative trajectory of Zardoz (1974), culminating in the Tabernacle’s eventual destruction, suggests the potential for such a transcendence to the Übermensch, as the Eternals’ confrontation with mortality disrupts their barren existence presenting the opportunity for transformation. Yet the film’s ambiguity, evident in their uncertain embrace of finitude, echoes Nietzsche’s skepticism in Beyond Good and Evil (1886): “The great question… is whether mankind can attain to that tremendous surplus of self-mastery.” Today, Zardoz (1974) prompts scrutiny of whether technologies like AI and AL can spur creative renewal or merely perpetuate cycles of devolution, as the Eternals’ faltering response suggests.

The Eternals’ apathy can be seen as a manifestation of Nietzschean ressentiment; and this illuminates the film’s critique of technological decadence. In On the Genealogy of Morality, Nietzsche describes ressentiment as a “slave morality” that inverts values to console the powerless. The Eternals’ disdain for the Brutals, coupled with their existential languor, mirrors this inversion, their immortality breeding rancor against life’s dynamism. The collapse of the Tabernacle disrupts this ressentiment, yet the film’s coda—where the Eternals, alongside Zed and Consuella, face mortality—suggests a kind of synthesis beyond Nietzsche’s master-slave dichotomy. This ambiguity invites reflection on whether technology can foster reconciliation or merely engender new forms of subjugation in an on-going cycle.

Aesthetically, Zardoz (1974) employs a surreal albeit by today’s standards dated visual lexicon to externalize its philosophical concerns, its phantasmagoric imagery attempting to vivify a dialectical relationship between vitality and stagnation. Its contemporary relevance is stark however: AI and digital networks, while enabling connectivity and knowledge-accessibility, and AL, while creating opportunities for technologies of life-extension, risk fostering a new Eternals-like stasis, where human agency succumbs to an altogether artificial hegemony – a state devoid of the organic, the spontaneous, and the naturally adaptive (perhaps what could be referred to as the "self-generative.") Humanity, in effect, becomes immortal and all knowing, but insodoing becomes slave to its own technology and digital omnipotence and omnipresence. All in all, the film can be taken to mean that we must wield technology as a tool within a process for creative renewal rather than a conduit for nihilistic retreat and entertainment. Interestingly, Zardoz (1974) points out how this tool, potentially, may even be used to destroy itself in an act of self-renewing-destruction.

Zardoz (1974) encapsulates many Nietzschean ideas pertinent to today’s philosophical landscape with respect to AI (artificial intelligence) and AL (artificial life): the death of God, the Übermensch, eternal recurrence of the same, and the perils of apathy, while offering a prescient critique of technology’s dual nature. The dismantling of Zardoz and the Tabernacle enacts a Nietzschean revolt against facile forms of transcendence, yet the film’s ambiguity prompts contemplation of humanity’s capacity to forge meaning in an age now dominated by AI and the prospects for AL.


Wednesday, December 4, 2019

quote of the day

Ernst Junger (1895-1998)
HERVIER: The image of democracy proposed by Eumeswil is hardly flattering.

JÜNGER: Just what is democracy? People claim to have democracy everywhere, even in countries where it is absolutely non-existent in practice. It's somewhat the same with Truth. Truth is highly praised everywhere: but where do we really encounter it?

- The Details of Time: Conversations with Ernst Junger

Monday, February 11, 2013

individuated possibles and possibility as type (a general)

A typical charge against a philosopher who secures a transcendental basis for creative virtual conditions is that the philosopher undergirds creative activity with an ontological soup of would-be possibles; already individuated eternal objects or inverted Platonic forms or Ideas (e.g. Deleuze) that are eternal in their own nature and stand ready for their eventual instantiation.  This trancendental ground as it were is often called out as a "monistic soup" of would-be possibles.  Deleuze and Whitehead both have an ontology with this sort of transcendental basis, so it is claimed.

On other other hand, there are philosophers such as Quentin Meillassoux and Charles Hartshorne who state that the virtual does not "properly exist" - that there is a distinction to be made between the virtual and the concrete, and the concrete cannot said to "be" until *after* its actualization, whether possible or actual.  While possibles and their corresponding actualizations are discreta, units or objects of the world, all of these individuals are susceptible to the more basic conditions of change or temporality rendering them powers as such rather than specific discreta such as virtualities or eternal objects.  Surchaos, the eternal act of positive creative addition to the real, is no transcendental ground in the sense that it can be called out as a pre-individuated field of already fully formed individuals in tendency or specific generality (pace Deleuze's or Whitehead's ontology). The transcendental ground that Meillassoux or Hartshorne has in mind demands qualification with respect to this, however.

Pragmatically, one "refers" to this power of pre-individuation though it is never a "thing" itself proper, as "nature" any more is some "thing" to refer to beyond a pragmatic concept within ordinary language.  All individuals require this power for their actuality given the transcendental basis of creativity as ultimate category.  Paul Weiss referred to this power as Dunamis, Meillassoux as Surchaos, Hartshorne and Peirce (influenced by Whitehead, though disagreeing with him about the reality of eternal objects) as creativity - a kind of "inexistence" that makes *for* existence.

The question is not whether there *are* pre-individuated reals, nor whether any *individuated* real goes all the way down into the virtual realm (for example, it is "individuals all the way down" - a logical and ontological impossibility).  It is rather a question of whether and how the *act* of individuation itself is a power deserving to be called out as having an especial ontological integrity.  In essence, it is not the individuals which are interesting in metaphysical pluralism.  It is what individuals *do* which is crucial, and even more crucially, what power they draw from, a power responsible for any doing whatsoever, which seems to be the animating feature of the universe - thus deserving perhaps the character of "ultimate" or even "divine," if one were to follow the Presocratic nature ontologies in identifying as divine those ultimate categories or conditions which are responsible for the world's generative and dynamic activity.

Any so-called "powers ontology" must necessarily refer to this ground of creativity and positive creative addition for it is what animates pre-individuated (possible) reals as well as their actual counter parts.  Such is the nature of power as ultimate category hence making the ontology deserving of the name.

As a closing thought: Meinong's theory of possibles or Leibniz's particularism probably isn't the best way to go here.  Insistence on how individuals are collected, aggregated, and then set into union through the *act* of "functors" (category theory) is much more helpful.  Peirce, Hartshorne, but also at times Whitehead, point to this kind of thinking.  The below interview with Hartshorne draws out many of these contrasts. Note his example concerning Shakespeare.

Appearance, Reality, Mind
by Charles Hartshorne

This audiotape recording features Charles Hartshorne lecturing on the nature of perception and other topics. Date unknown.
Lecture: 55 min
Date Recorded: Unknown
Location: Unknown
Date Added: Unknown
Download Lecture: (MP3 - 50Mb)

why objects aren't particularly interesting for me

Because they are contingent. What is more interesting is contingency itself.

"What is strange in my philosophy is that it's an ontology that never speaks about *what is* but only about what *can be*. Never about what there is because this I have no right to speak about."

Q. Meillassoux

Friday, May 4, 2012

infinite density and aesthetics



Infinite Density and Aesthetics

 This semester I am using Fr. Robert Barron's Catholicism text and DVD series as part of my "Catholicism and Asian Religious Traditions" course that I am teaching (which also covers Buddhism, Confucianism, and Daoism).

Preparing for my lecture  tomorrow, on the life of prayer, I found a rather poignant reminder concerning not only the depths of the soul, but also the depths of all things, of the immanent creative life - the Holy Spirit - that is near and inside all things, and infinitely so.  This became apparent to me as I was reading Fr. Barron on Saint John of the Cross.

Reflecting on Saint John of the Cross, Fr. Barron discusses how John was a reformer and therefore unpopular and criticized.  Eventually for his criticisms and reforms, John was beaten and put under arrest by his Carmelite brothers. There in his cell John composed verse in his mind (he had neither pen nor paper).  One day, however, John escaped through a tiny window from his prison.

Christ of Saint John of the Cross (1951), Dali
In his verses, Saint John offers a powerful image of the soul.  Within us, John states, are unfathomable and great "infinite caverns" of intellect, will, and feeling.  These caverns are infinite precisely because they are ordered to God.  They are unfathomable because it is not until that one raises one's mind and heart to God that they would be filled, completely only in a "beatific vision," given in the afterlife.  The initial moment of raising of our heart and mind to God, however, is not a fuga mundi, not a "flight from the world" John said, but it is rather a looking into the world.

How this happens occurs in two steps, as outlined in Saint John of the Cross' Dark Night of the Soul.  First, during the "dark night of the senses" one peers into the senses seeking to empty them of their exterior content, in order to traverse "inside."  Second comes "the dark night of the soul" when one "empties oneself" traveling yet even further inside the soul - preparing oneself to be a conduit for God, to receive the gift that God wants to give.

As with Saint Teresa of Avila, the "interior" here is a fortress, an "inner castle" - the innermost and deepest chamber that may only be filled in union with God, and it is only in beatific vision with God that the deepest aching of the heart will ever be satisfied (Edith Stein, otherwise known as Saint Theresa Benedicta of the Cross, a student of Husserl, described the soul this way as well and wrote beautiful letters and phenomenological essays concerning the soul as an inner-chamber that houses an "infinity" within itself).

Dali, said that his painting (above) came to him in a "cosmic dream" where he gained insight into "an atom's nucleus" - inside the object he saw the "entire universe, Christ!"  The atom's shell-like surface is translucent, and so we may be drawn back into to its center point where the internal-external divide is dissolved within an infinitely deep center. Thus: the intuition of the infinite exterior (life) is to be found within all interiors.  "Entering into" another, or being "entered into" by another, seems to be another meaning of ecstasis.  An ecstasis through empathy: all of nature is ecstatic, all of nature is empathic.

Saint Teresa's ecstasy was similar.  A "transverberation," as she called it: inter-vibrancy.  For her, a castle was a keep, a place of safety and power, giving one shelter from all storms.  Yet, the inside, the radical interior, which always leads to another level of the chamber, always withdraws as we approach it.  But, there always is a trace.  One thus senses the infinite density within this realm of the interior, and one senses that this infinite density must be had by all things as divinely created beings.  Within the glassy surface of all things there is depth.

Now, as my research these days into Schelling progresses, my theory is that the psychoanalyst need not necessarily look further and further into the human person in order to flesh out the soul, the infinitely dense interior.  Rather, perhaps, we may turn to an aesthetics of sublimity on the outside, in that one that may probe into a radical material exterior in order to engage the spirit as well.  Does that exterior, too, withdraw from availing its sublime gift of the spirit?  May nature "out there" reveal soul, spirit?  Allow me come back to this idea in just a moment.

Fr. Barron writes of the spiritualists who write about this theme of the center, the "divine still point around which the self properly revolves."  In my own "speculative naturalism" this divine still point is in each object of nature, the center of each monadic perspective-point: a soul.  As Teresa's interior castle indicates, the things of this world may stand as places of evocation, each with their own interior castle, each with their own receding inner chambers.  The "inside" of those chambers are revealed through semiotic aesthetic expression to the other as mediated traces, yet are also immanently intuited as a feeling, a feeling out of and intuition "into" another soul or perspective, another deep world all of its own.

The above suggests that the human soul may rest confidently in Christ and find a place in Him wherein the mystical marriage unfolds.  But, for as much as Christ is in those who seek Him, those who seek refuge in Him, and lean on Him, the Word also became flesh, and so we are also in all partakers in God's body being one with the Holy Spirit as it is enfleshed in the Church and in the world.  Thus Christ is part of the mystical body of God with the Holy Spirit, Christ as that body's head. Or, in Plato's organic conception: there is the "body" of God, Christ the logos speaking God's sentience.  Or, from the Catholic Church: the church of God is God's mystical body with Christ as its head.  A panentheism of love (Hegel), or a cosmic body (Plato, Schelling).

With these topologies in mind, and wishing to turn toward the exterior, that great plane of immanence and the body of the virtual power constituting it, let me now return to my earlier thought and entertain for a moment what Emerson tells us with respect to nature being God's "Great Church" (nature being exterior and universal, being catholic).  The spirit is also the exterior nature, that which helps to construct the vital living material of the Great Church.

“Nature is my church, philosophy and poetry my scripture.”  - Emerson

“It [Christianity] is not yet one with the blowing clover and the falling rain.”  - Emerson

 I would like to, in the future, suggest that the supposed "fleshing out of [the] soul" in psychoanalysis, being an interior turn for most, is also possible in a turn toward the exterior material realm of the natural world, where such divisions unite and dissolve through the rhythms of nature "naturing."  Psychoanalysis and aesthetics join hands, then. Psychoanalysis, through a peculiar speculative aesthetic moment, becomes nonhuman, perhaps even suprahuman, focusing on the enfleshment of spirit; the ontological incarnating of nature: a revealing within materiality an infinite density of generative condition, or, the depth dimension of the spiritual pole - tragic and manic aspects of nature's God longing for wholeness and completion, in short: deity as it pertains in its innermost essence to natura naturans. The revelations within natura naturata. Speculative aesthetics as spiritual-nature revelation.

Would this result, then, outline the contours of a truly philosophical religion?: aesthetics being its crown - a result that Schelling and the early German romantics and idealists were seeking as they wrestled with an analysis of consciousness, nature, and (the unconscious drive of) spirit?


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Tuesday, March 27, 2012

in defense of panpsychism

HT Bill Meacham, original post HERE.  (credit to Bill Meacham, Philosophy for Real Life blog - retrieved March 27th, 2012.  All rights reserved and credited to the author)



In Defense of Panpsychism
by Bill Meacham on March 2nd, 2012

Panpsychism, the idea that everything has an aspect of psyche or mind to it, seems nutty to most people. In our everyday experience some things are alive and some aren’t, and the difference is obvious even if there are some grey areas. Living things have minds. At least we ourselves do, as we know from direct experience, and it is not too much of a stretch to say that all living things do. But what sense does it make to say that dead things have minds?

I have written about panpsychism a couple of times before (see “Dead or Alive?” and “Mental Causation”), and some readers have asked for a more rigorous defense of the theory than I have given in those articles. It is all very well to say that Panpsychism is a more coherent metaphysics than others, but what does that actually mean? OK, here goes. This is a bit more technical than usual, and longer, so please bear with me.

First, some context. This is all about the mind-body problem. Mental objects, such as thoughts and feelings, have no extension in space and are directly perceivable only by the person thinking or feeling them. Physical (bodily) objects have extension in space and are perceivable by more than one person. The question is, how are they related?

Here is the argument in its bare logical form as adapted from contemporary philosopher Galen Strawson:(1)
 0. Reality is made of only one type of stuff. There is only one ultimate category that applies to everything. We call this view Monism. assumption
1. Everything real has a material aspect. That is, every instance of the one type of stuff of which reality is made is observable from an external, publicly-available point of view. premise
2. Our own experience, directly observable only from the point of view of the one who is having it, is indisputably real. premise
3. Hence, at least some of reality has an experiential aspect as well as a material aspect. lemma (1,2) (A lemma is a conclusion that is then used as a premise in a further chain of argument.)
4. There is no radical emergence of experience from non-experiential stuff. The experiential aspect of something does not radically emerge from the material aspect. (By “radical” I mean strong, as opposed to weak, emergence. See discussion below.) premise
5. Hence, experience is as fundamental to reality as matter. conclusion (3,4)



5. Experience is fundamental to reality. lemma
6. What is real is ultimately made up of very tiny elements; these are its fundamental constituents. premise
7. Hence, at least some fundamental constituents of reality are intrinsically and irreducibly experiential as well as material in nature. For short, we call this idea “micropsychism.” conclusion (5,6)



7. Micropsychism is true. lemma
8. The assertion that all fundamental constituents of reality are experiential as well as material is simpler than and preferable to the assertion some are and some are not. premise
9. Hence, all fundamental constituents of reality are intrinsically and irreducibly experiential in nature as well as material. For short, we call this “panpsychism.” conclusion (7,8)

Well that is terse, but it shows the logical structure of the argument. As in all logical arguments, the final conclusion is demonstrated to be true only if the logic is sound and all the premises are true. There is a surprisingly large body of recent work on this subject examining each of the premises in detail. I am certainly not going to reproduce it all, but I will go over the premises and give some reasons why I think each of them makes sense.

We start off by assuming monism, the view that everything is made of the same kind of stuff. Depending on whom you ask, that might be matter (wholly non-experiential), the view known as materialism; mind (wholly non-material), the view known as idealism; or something in between that takes on aspects of both matter and mind. The alternative is dualism, which says that matter and mind are two entirely distinct kinds of stuff. The problem with dualism, of course, is how to explain the interaction between the two. I take it that monism is not a controversial assumption.

The first premise says that everything has a material, or physical, aspect; so the argument starts off agreeing with the materialists. I am giving an operational definition of “material”: what is material is detectable or observable by more than one person. The first premise says that what is real is objectively there, and can be discerned by anyone with suitable training and instruments.
You would think that the second premise, that our own experience is indisputably real, would be equally uncontroversial, but that is not the case. Surprisingly, some people say that experience isn’t really real. Most notoriously, Daniel Dennett, a materialist, makes the following assertion, where “phenomenology” means the various items in conscious experience:(2) “There seems to be phenomenology. That is a fact …. But it does not follow … that there really is phenomenology.”(3)
As Strawson points out, seeming itself is a type of experience, so the argument fails on the face of it.(4) Dennett’s claim is not so absurd as it sounds, because Dennett is arguing that what is really real is the brain activity that creates our experience. He says, for instance, that our experience seems smooth and continuous, but the physiology behind it is discontinuous and full of gaps. Hence, our experience is not really continuous at all.(5) But that just begs the question. In order to know anything about brain activity we have to see readings on dials, squiggles on paper, etc., and seeing is a kind of experience. The one thing we cannot doubt, when we are experiencing something, is that experience is going on. We can find out that we are mistaken about the objects of our experience, as when we see a hallucination or an optical illusion, but that we are experiencing is the bedrock of everything.

The conclusion from the first two premises is that experience is an undeniable aspect of whatever the universe is made of. And so is matter, of course. Now the question is, what is the relationship between experience and matter? A common claim is that experience emerges from non-experiential matter when matter reaches a certain degree of complexity. Premise 4 denies this claim.

The basic idea of emergence is that new properties arise in systems as a result of interactions at an elemental level.(6) A case in point is liquidity. A single molecule of water is not liquid, nor are its constituent atoms. But when you put several molecules of water together, you have a liquid (at certain temperatures). Liquidity is an emergent property, specifically a form of “weak” emergence: the emergent quality is directly traceable to characteristics of the system’s components. Water molecules do not bind together in a tight lattice but slide past each other; that’s just part of their physical make-up.

Some say that consciousness is an emergent property as well, that it arises when constituent parts – neurons, sense organs and the like – are organized with sufficient complexity. If so, the emergence of consciousness would be a “strong” emergence. The new quality, consciousness, would not be reducible to the system’s constituent parts; the whole would be greater than the sum of its parts.
Strawson denies the possibility of such strong emergence. He says “there must be something about the nature of the emerged-from (and nothing else) in virtue of which the emerger emerges as it does and is what it is. You can get liquidity from non-liquid molecules as easily as you can get a cricket team from eleven things that are not cricket teams.”(7) We can do so because in those cases “we move wholly within a completely conceptually homogeneous … set of notions.”(8) But there is nothing about the nature of inert, non-experiential matter that would lead to the emergence of conscious experience. The two notions are not homogenous, but radically different. So consciousness does not emerge from non-conscious matter.

That, at least, is the argument in favor of premise 4. If you want to dispute it (and philosophers certainly have done so), you know where to take aim. But if we assume that it is true, then conclusion 5 follows: Experience is as fundamental to reality as matter; it is not something additional that emerges from what is primitive or more fundamental. In Strawson’s argument this is a stopping place; the rest is elaboration.

The next premise, 6, is that the ultimate constituents of reality are quite tiny: electrons, protons, quarks, muons and the like. This reflects the current findings of the physical sciences, and there is no reason to doubt it.

Hence (conclusion 7), at least some fundamental constituents of reality are intrinsically and irreducibly experiential in nature as well as material. For short, we call this idea “micropsychism.”
Micropsychism should make the idea of panpsychism a bit more palatable. The theory does not assert that inert substances such as rocks and concrete walls are conscious or have any kind of experience. It does assert that the ultimate components of such materials do have a kind of experience, some way of taking into account of their surroundings in a manner that, were it expanded and amplified quite a bit, would be like our waking consciousness of our world.

Premise 8 is an application of Occam’s Razor, which advises us to adopt the simplest theory that adequately explains all the facts. Conclusion 7 says we have reason to think that at least some elemental parts of reality are experiential as well as material. We have no positive reason not to think that they all are. So it makes the theory simpler and more elegant to apply it to everything. Hence we end up with full-blown panpsychism (conclusion 9): all fundamental constituents of reality are intrinsically and irreducibly experiential, as well as material, in nature.

There is no way to tell for sure, of course. We cannot perform a scientific experiment to demonstrate that tiny particles or waves or whatever they are have some kind of experience of their surroundings. Physics tells us, with mathematical precision, how they interact, but physics tells us nothing of their internality. It’s just that it makes a more coherent and refined theory to assume that every element, rather than only some of them, has some sort of experience. As I like to say, everything has an inside and an outside, the inside being the world as experienced by the entity itself and the outside being the way that the entity is experienced by other entities.

That’s the argument in a nutshell. The whole thing hinges on premise 4, the denial of strong emergence. Materialism requires strong emergence to account for human consciousness. Panpsychism requires emergence as well, but only of a weak sort. If the fundamental units of reality are experiential as well as material, then it makes sense in principle that elaborate combinations of them would result in the vivid consciousness that we all enjoy while awake. But what is the nature of that combination? Without an account of that, panpsychism has little more explanatory plausibility than materialism.

If everything has both an inside, as panpsychism suggests, and an outside, as both panpsychism and materialism agree, then the organization of the outside should have some bearing on the richness of the inside. Let’s go back to the initial conundrum, the difference between what is living and what is not. Is there something unique about how matter is organized in living beings that would account for the emergence of the complex and vivid form of experience that we know as waking consciousness? The answer is yes; it is what persists through time. The physical matter of non-living things persists through time, and their form changes through the impact of external forces. Living beings are the opposite: their physical matter is constantly changing through time, and only their form persists.
The physical matter of dead things just persists from moment to moment without changing, or changing only through external forces. In any given slice of time, the substance of a dead thing is the same as it is in any other slice of time. The totality of what it is can be encompassed in a single instant.

Living things are strikingly different. The physical matter that composes living things is constantly changing through metabolism, the process by which matter is ingested, transformed and excreted. What persists is not the matter itself but the form in which that matter is organized. A single slice of time does not encompass the unity of the living being at all. Only across time can we grasp its functional wholeness. I follow Hans Jonas here.(9) The sense of being a whole conscious entity emerges with metabolism, the ability of a simple organism to maintain its structure through time by exchanging physical matter with its environment. The physical matter changes, but the organizational form doesn’t. (Or, it does, but it evolves so there is a continuity.) The structure of the material aspect – a changing material process that has a unity of form over time – gives rise to a unity of experience over time, a macroexperience, which is of a higher order than the microexperiences of the constituent elements.

Jonas’ insights map nicely to those of other panpsychists, the process philosophers. Charles Hartshorne has made the distinction between “compound” and “composite” individuals, which is roughly the distinction between what is living and what is not.(10) A compound individual is one which (or who), on a macro level, has a “dominating unit,” an inclusive locus of experience, a single subject that unifies the experiences of its components into a coherent whole. Non-living things, although made up of actual ultimates that each have a mental or experiential aspect, have no such unification of experience. Hartshorne calls them “composite” rather than “compound.” David Ray Griffin calls them “aggregate.”(11) In compound (living) individuals the experiences of the components bind together and reinforce each other, giving birth to a higher-level experience, a dominant subjectivity among the micropsychic components, which is in some ways superior to and capable of directing them. In composite (dead) things, or aggregations, the experiences of all the component simple individuals remain separate, and no higher-level inclusive experience arises. It is the persistence of form in compound individuals that enables the merging of the mentality of the micropsychic units into an inclusive subjectivity that, in its most developed instantiation, includes all the richness of human mental life, including a sense of freedom and a knowledge of its own mortality.
————–
Notes
(1) Presented at a colloquium for the Department of Philosophy at the University of Texas at Austin on 20 October 2011. I am paraphrasing Strawson’s terminology. Strawson starts by agreeing with materialists that concrete reality is entirely physical in nature and then argues for a meaning of “physical” that includes both the material and the mental. I prefer to use the term “physical” as most people do, to mean material only.
(2) Dennett, Consciousness Explained, p. 45.
(3) Dennett, Ibid., p. 366.
(4) Strawson, “Realistic Monism,” p. 6, footnote 7.
(5) Dennett, Consciousness Explained, p. 356.
(6) Wikipedia, “Emergence.”
(7) Strawson, “Realistic Monism,” p. 15.
(8) Idem.
(9) Jonas, “Evolution and Freedom,” pp. 64-67. (Jonas, by the way, is fascinating. A student under Heidegger, he is rooted in both existential phenomenology and in biology, so his language is quite a bit different from Strawson’s. He is germane because he takes seriously the possibility that other beings besides the human have subjective experience, what he, along with many existentialists and phenomenologists, calls “interiority.” The germ of many aspects of human interiority is found in the simplest of living beings: a sense of freedom, of independence from the givenness of the material, along with a sense of necessity, of dependence on the material for one’s existence; a sense of Being, of life, in opposition to the ever-present possibility of Non-being, of death; a sense of value, of the attractiveness of what is nourishing and repulsiveness of what is dangerous; a sense of selfhood, of inner identity that transcends the collective identity of the always-changing components, and a sense of the world that is other than oneself. Delicious stuff, but too much to cover in any depth in this essay.)
(10) Hartshorne, “The Compound Individual,” pp. 215-217.
(11) Griffin, Whitehead’s Radically Different Postmodern Philosophy, pp. 58-61.
References
Dennett, Daniel C. Consciousness Explained. Boston: Little, Brown and Company, 1991.
Griffin, David Ray. Whitehead’s Radically Different Postmodern Philosophy. Albany: State University of New York Press, 2007.
Hartshorne, Charles. “The Compound Individual.” In Philosophical Essays for Alfred North Whitehead. New York: Longmans, Green and Co., 1936.
Jonas, Hans. “Evolution and Freedom: On the Continuity among Life-Forms.” In Mortality and Morality: A Search of the Good after Auschwitz, ed. Vogel, Lawrence. Evanston, IL: Northwestern University Press, 1996.
Strawson, Galen. “Real Naturalism”. Draft paper delivered at the University of Texas at Austin, 20 October 2011.
Strawson, Galen. “Realistic Monism” in Consciousness and its Place in Nature, ed. Freeman, Anthony. Charlottesville VA: Imprint Academic, 2006.

Monday, July 11, 2011

Is nature causally closed?

Just got done reading Jason / immanent transcendence's post on the causal closure of nature.  Wow, what a great post.  Now, I follow his line of thinking - but beware, read slowly to follow it.  Some twists and turns and this turns out to be one of the more subtle posts you'll read in quite awhile.  It left me wondering more deeply about the topic, which is exactly the sort of thing that I enjoy to read.

Sunday, June 26, 2011

Caputo on Deleuze Reading Group: Post 5 of 7

Finishing Ch. III "The Image of Thought" (pp. 129-168) and moving on to Ch. IV "Ideas and the Synthesis of Difference" (pp. 169-222). Then Deleuze's Pure Immanence (Hume).  Audio lecture here.