Ernst Junger's Die Schere: Stereoscopic Vision into the Spirit World
Die Schere #27
When a "vision" takes place, the afflicted is assailed by that vague sensation which is felt by a man, who, upon returning from an excursion, is unable to give any account thereof. At the time, the vision could have passed as a dream - its realization makes one suspect that more was in play.
The scissors, appearing before only as image, can cut - this is uncanny.Perhaps memory conserves only a secondary particular, as does a note in the margin of a page whose text is smudged. Has more taken place? A similar mood can follow a heavy inebriation: the drinker does not know what drove him to it. In any case, a tie has been made - he has found his way back to his person and his norms. Drinking from the Well of Mimir is taboo.
Die Schere #29
The pre-visionary thus attended twice his own funeral, once while standing at the window, then in reality. The relation has interlocked, the scissors of Atropos, at first seen in its potential, then took effect in actu - the scissors cut. But the visionary is hurt no more.
Second sight does not open a panoramic view, as if a curtain were ripped apart.
Instead, it is like squinting through a keyhole. The perspective is quite limited, it is mostly trifles, like a toppled inkwell, that meet the eye. However, such accidental details are perceived with great exactness. This might be explained by assuming a slight disturbance, caused perhaps by a tiny screw in the intricate mechanism of perception becoming loose - luckily merely for a moment.
E. Juenger, The Sheers (Die Schere)
What is the spirit world and what is its relation to this life? Does the natural reflect up from within its own depths the spiritual and magical? We are presented with options concerning the one nature and its sheered existence (Juenger).
Schelling (in his text, Clara, or On Nature's Connection to the Spirit World) offers insight into our options:
1. The spirit world enters this life. 2. The two worlds are kept completely separate. 3. There is interaction between this life and the next. 4. We may learn about the next life from carefully looking at this one.
Another question must follow. In what way might the human be a point between these two worlds, a Schere or scissor cutting them apart? We are not directly connected to the spiritual world, but do progress toward the spiritual through our death. The bands of a paper cut into a moebius strip are hemmed by our perception.
Steroscopically, the senses may zero in and unveil the magical quality of the world - the spiritual entering in through and interacting with this life. Dreams are the direct testament to such a revelation presented before the inner senses, although others have developed the optics which, under certain conditions, perceive the truth of the revelation directly. Whether or how this may be communicated is another story.
Novelist Ernst Juenger (1885-1998), friend of Martin Heidegger (and equally loathed because of his politics) is the phenomenologist of dreams, a "psychonaut." Opening a new view of the everyday allowed him to perceive the spiritual alive in it. Among the realities found in this new, deeper layer of reality, is the reality of liberation: freedom from the body. Juenger's politicization of this inner pillar of freedom was called "the Anarch"; a figure whose religious orientation was psychical and Eastern, a figure whose metaphysics was libertarian and ecological. Thus a unique prototype, the Anarch has the ability to "shape-shift" according to circumstance: the ultimate figure of freedom. At the end of his life Juenger appears to have aligned beliefs about this prototype to an order whose aesthetic and spiritual ranking he seemed to confide in the most, the Catholic church (although Juenger never just "gave up" his freedom to the Church, if anything this was a respectful nod to the order, an acknowledgment of its spiritual aesthetics).
Juenger also found a spiritual freedom in the forest, evidenced in his novel Eumeswil, where he then develops a figure whom he titles, "the Forest Fleer." Juenger's celebrated essay Der Waldgang ("The Forest Fleer") develops the theme of inner emigration, a transition from Anarch to Forest Fleer - the retreat to a spiritual zone found within the forest which is also a retreat into the self. There, in the forest, there in dreams, we communicate with the dead. We see the power of our inner freedom and the magic of the real. The transition is from Anarch to Forest Fleer: the prototype drops its mask and reveals to the world the power of its inner freedom. There in the forest the last stand is made.
I copy below a not-so-bad translation of an article written about Juenger referencing several of the themes outline above.
Ernst Jünger (1895-1998) is polarized like no other intellectual of the 20th Century. They called him a propagandist of the war and described his poems as "Mr. Reiter's prose." Nevertheless, the German poet-philosopher for some represents an appeal like that of the '68-movement.
He was "a kind of disciple to life, surrounded by the aura of intellectual obscenity," such as former German Foreign Minister Joschka Fischer once remarked. A report on drug-induced "paradise" and "human salamanders" is found in the work of Ernst Jünger.
Juenger re-read
To sweep the widespread stereotypes about Juenger aside, the philosopher Gerd B. Achenbach in early April held a multi-day seminar held in the Swabian monastery Heiligkreuztal. The intention of Achenbach was to undertake some investigations into the multi-faceted, subtle work of controversial the artist-philosopher, Ernst Juenger.
You should show that Juenger may well be regarded for a philosopher, if - as Achenbach - implies, you are not confused with footnote philology and academic term papers. In an interview with science.ORF.at, Achenbach referred to Juenger's "strategy", namely looking to the phenomena and activities of daily life that are hardly noticed as a starting point for theoretical point of view excursions. They lead Juenger into "the pathless darkness of mystery."
A new view of the everyday
Documents of these expeditions into the mystery find themselves in the Juenger's book, "The Adventurous Heart. Figures and Capricchios". His aim was to wrest the surface of things and uncover a deeper meaning of reality with new or hidden dimensions. His goal was also to undermine the reality of the very means of art.
Much like the surrealist writers Juenger drew a new perspective on the everyday, which opened up surprising perspectives, "A falling to the ground of reality's tissue may be the start of an Archimedean point from which the poet [Juenger] sets in motion a whole world and opens up a world," wrote the writer Guillaume Apollinaire.
Stereoscopic sensuality
The means to transform reality is, from the stereoscopic view, to be discovered next to the usual perception of everyday objects in their magical quality, "as if an observant was controlled from the mysterious itself".
Stereoscopically one perceives words as Juenger did, to win from the same object simultaneously two sensory qualities, and indeed - this is what is important - by a single sensory organ. As an example he cites the cinnamon scent of clove, "of which not only the smell is aromatic, but also has the taste of a spicy quality."
Discover the magic of the real
The stereoscopic view stages a simultaneous layering of realities, impressions, memories and dreams, it leads to an enhanced perception of the object world, which thus takes on a magical quality.
Here, too, are echoes of Surrealist writers such as André Breton, where the stereoscopic gaze is the place of the "automatic writing" - translated, the letter automatically takes place. Artistic expeditions would expand the range of factuality and reality into the realm of the numinous, the mysterious, the wonderful advance that defies logical and rational access.
"Often it seems to us that the sense of depth can be created only from the surface, the rainbow-colored skin in the world, where the sight moves us urgently. Then again, this colorful pattern is created solely from letters and symbols by which the depths talk to us through their secrets. " (Ernst Jünger)
The shortcomings of the administered world
The stereoscopic view is trying to evoke a sphere which was displaced in the Enlightenment by the "disenchantment of the world". Such refers to the paranoid delusion of the Enlightenment era, which tries to explain all phenomena and define all rationally - "The geometry of reason obscures a diabolical mosaic, sometimes shockingly alive world".
The will of the realm of the numinous, the wonderful world, was disenchanted into a flattened world - spoken by those who celebrate on the weekends in the supermarket's buying frenzy, - a substitute for the loss of the Saints. Jünger's critique of the one-dimensional life-world that resembles the life of lemurs, meets with the analysis of Theodor W. Adorno.
The parade intellectuals of the "Frankfurt School" deplored "the damaged life" of the individual who will be sacrificed by the late capitalist industrial society on the altar of profit maximization. For Adorno, this form of society "is completely wrong," the "hell of human existence" was a total loss of the individual, demoted to "Lurch".
The Doors of Perception
Many were convinced that the use of drugs also opens up access to the area of the numinous - beyond the usual bleak one-dimensional world. With the use of hashish, opium, mescaline, cocaine or LSD, Juenger designed singular experiments where created a sense of that archaic phenomena of ecstasy, which were usually hidden in the process of Western civilization .
High on drugs, there was the unexpected, "wholly other", which was already described enthusiastically by the English author Thomas de Quincey as divine. He spoke of a God-like state that occurs after the ingestion of opium. This condition is also experienced after taking LSD, which Juenger shared with Albert Hofmann, who took the substance which he had created (Hofmann, a chemist).
In the book "Approaches and drug intoxication," Juenger said LSD was a possible access to the "divine which moves everything." Back in 1949 he had presented in his novel "Heliopolis" the spiritual adventurer Antonio Peri, in addition to his everyday life wrought by the hallucinogenic drug "artificial paradises". This "artificial paradises" now promised "good news, eleusinisches light." You can, however, find out that these experiences- "turn out to be mirages, a pretend the true oases, but without a closer reality".
Regarding the use of hallucinogenic drugs, Juenger wrote, "Once is enough, you will have gained an idea of the dimensions within which they move as a blind man once plumbed the depths, the yawns among the planks of their boat."
Waldgänger and Anarch
When thinking - and living Juenger propagated the "forest transition" or "retreat into the forest" - he who defies the world and manages the consumer frenzy. The "Forest Fleer" is an outsider of civilization, one who situates their self at the edges, and is very skeptical of the normativity of common sense, who always knows that people are not "good."
The radical aversion to socially binding norms affects not only the late-capitalist society, but is directed against any religious or ideological coercion corsets. The "Forest Fleer" is simultaneously a "Psychonaut", which always seeks out extreme conditions in order to expand consciousness. He is also "Anarch", not an anarchist, who still has the illusion of being able to change the world rather than one's self.
The "Anarch" refers to Max Stirner's "unique one" who has made his cause on nothing. He defies not only every act but also any public articulation of his only developed inner secret thought:
"When "Anarch" I am determined to get involved with anything, but not taking anything too seriously - but not in a nihilistic way - as a man's land is between tides, eyes, and ears." (Eumeswil)
Featuring two theistic naturalists (panentheists), Robert S. Corrington (Drew University) and Robert Cummings Neville (Boston University). These are two towering figures in the history of American philosophy of religion, philosophical naturalism, and philosophical theology. The conversations in these two videos span discussion of the meaning of nature, theism versus pantheism versus panentheism, creation and creativity, psychoanalysis, panpsychism, Leibniz, Spinoza, Schopenhauer, Schelling, Peirce, Tillich, the social and political implications of panentheistic ontologies of nature, and much, much more.
William Desmond and The Excess of Being with Steve Knepper Hermitix Podcast
Steven E. Knepper is Associate Professor in the Department of English, Rhetoric, and Humanistic Studies at the Virginia Military Institute. In this episode we discuss his book Wonder Strikes: Approaching Aesthetics and Literature with William Desmond, alongside discussions on being, God, grace, prayer, silence and more...
The book: https://sunypress.edu/Books/W/Wonder-Strikes ---
Recently I’ve been prompted to reflect upon my dual specialization in the Continental and American philosophical traditions, e.g. “Euro-American” philosophy, given some research projects I’ve just completed. In that line of thought and given the topics I was researching I came to consider my 2009 dissertation on C.S. Peirce, F.W.J. Schelling, and Martin Heidegger, and how it sent me on a comparative trajectory – specifically in looking at possibility’s concept and mode – as well as possibility’s importance in attaining lines of religious insight as afforded by experiences of beauty within the natural world.
When I mention that my dissertation included a comparison of Heidegger and Peirce, usually I am met with puzzled looks. However, if it weren’t for the dissertation written by David Jerimiah Higgins, “Possibility in Peirce and Heidegger: A Propaedeutic for Synthesis” (1969), I don’t think I would have thought to reap the benefits of such a comparison. I certainly wouldn’t have been sent down the road of process-theology or panentheistic philosophy of religion and nature, in particular by way of Schelling, given how important Schelling was for both Heidegger and Peirce.
Higgin’s dissertation was such a crucial document for me. At the time, the faculty who I wished to be my dissertation director was more or less “hit or miss,” sometimes in his office and sometimes not – sometimes informative and sometimes not, sometimes helpful and sometimes not, and so on. By chance I had taken a seminar on C.S. Peirce and came to be interested in the Peirce-Schelling connection (German idealism being very much influential for Peirce as well as for American Transcendentalism and pragmatism generally) and thus I came to find a new prospect for my dissertation director. Had I stuck with my original choice for dissertation director I don't think I would have ever finished the Ph.D.
Over twelve years later from time to time I still contemplate Schelling's massive importance for both C.S. Peirce and Martin Heidegger, and still do believe Schelling is the "key" in comprehensively grasping a panentheistic metaphysics of nature - especially when the aesthetic is taken to be its crowning achievement.
If you have an interest in Heidegger and have any interest in C.S. Peirce at all (or perhaps even the American pragmatists) then by all means do check out this dissertation. It’s informative and provocative, and like I said – it was of crucial importance for me and my own intellectual development. It contains some supremely excellent insights into a very rare comparison of two first rate philosophers, and may be of some help to something related you may be working on in your own research. Link HERE.
"That consciousness is a sort of public spirit among the nerve cells. Man as a community of cells; compound animals and composite plants; society; nature. Feeling implied in Firstness. The triad in theology. Faith requires us to be materialists without flinching."
- C.S. Peirce, Collected Papers of Charles Sanders Peirce I.354
"The community of memory is as infinite as the community of hope."
- Randall E. Auxier, Time, Will, and Purpose Preface xiii
"…every visible and invisible creature can be called a theophany, that is, a divine apparition. For…the more secretly it is understood, the closer it is seen to approach the divine brilliance. Hence the inaccessible brilliance of the celestial powers is often called by theology 'Darkness.'"
Speculative theists during the early to mid 1800's were attempting to work out Schelling's various criticisms of Hegel. One output of those criticisms was that of Christian Hermann Weisse (1801–66) who transformed Hegel's absolute idealism into personal idealism. This mainly occurred due to Weisse's association with I.H. Fichte (1796-1879), Johann Gottlieb Fichte's son, where both Weisse and I.H. attempted to work out a philosophical basis for the personality of God.
Personalism in the sense of a distinct philosophy or worldview focusing on the full, accumulated import of the concept of the person, however, emerged only in the context of the broad critical reaction against what can be called the various impersonalistic philosophies which came to dominate the Enlightenment and Romanticism in the form of rationalistic and romantic forms of pantheism and idealism, from Spinoza to Hegel. Key figures in this reaction were Friedrich Heinrich Jacobi (1743–1819), the initiator of the so-called Pantheismusstreit in the 1780s, and F. W. J. Schelling (1775–1854), who in his later work rejected the impersonalist positions of his early idealist systems. (SEP entry "Personalism")
In particular following I.H. Fichte was Hermann Lotze (1817-1881) who emphasized the ancient Greek distinction between persons and things within a personalistic idealism. "Persons" were said to be centers of consciousness, properly "subjects" so-called, which can initiate causes and change by their own intentional volition (among other requirements, many outlined in Schelling's Outline nature book), where volition is understood as agency. In Europe this was picked up later on in the metaphysics of the French philosopher Emmanuel Mounier (1905-1950) in his book Personalism. German personalism, by the time of the twentieth-century, had largely been adopted only by the Catholic church but not so much by other philosophers (with the exception of Max Scheler). While reading this, I had three thoughts that I'd like to type out very, very quickly.
1. Arne Naess, the Norwegian ecophilosopher, proposed we ought to consider mountains "persons," not because they "think" in any regular sense of the term or possess consciousness as in panpsychism (which would be ridiculous), but because of the intrinsic dignity of the mountain afforded by the agency it possesses - its power to affect change. Today, corporations have been long considered "persons." But if a corporation is a "person," then why isn't a mountain? There is a distinction of course between legal and moral rights, yet ontologically legal rights rely upon moral rights - for the value those laws and considerations possess can only be established by the reality and natures of the subjects those laws are said to govern. Thus, according to personalistic criterion, whose lineage goes back to the German idealists and the American personalists who followed from them (from Lotze to Bowne), and the European personalists who followed from the German idealists (in particular Mounier, perhaps Scheler), certain "things" are now being granted rights as persons due to new ontological perspectives which owe their viewpoints to the personalists of the 19th and 20th centuries - for example, recently rivers have been granted the same rights as human beings, due to environmental concerns. See HERE.
2. The danger of miscategorizing all of nature as "objects" or "things" is worse now than its ever been, and this danger is much worse than miscategorizing all of nature as "persons" by way of contrast. Object-oriented ontologies may grant agency to things, fine; but nevertheless objects are things without personal rights, according to their view. Many object ontologies deny consciousness or personhood to even the most basic of "things" for fear that consciousness or personhood is an "anthropocentric" trapping. While I agree we ought to, in the name of an ecological approach, not make our choices according to anthropocentric and heirarchical orderings of value, I do not agree personhood is an improper attribution to non-human animals, for instance; or to rivers and mountains given proper metaphysical consideration. "Objects" - as a category - is, frankly, a depersonalizing categorization from the start. And when one starts with a category mistake, then one's following system is completely flawed from the start for it is flawed in its very foundations. "Agents" would at the very least be a better start, if "persons" is too "humanistic" (which, in cases of helping others less fortunate, the weak, the sick, the dying, then a humanistic-oriented form of personalism is indeed called for. In cases where the weak, the sick, the dying or suffering are non-human animals then the more encompassing form of agentialism, personalism, is called for.
3. If onto-sympathy and empathy are key in understanding persons (persons, not things) as well as their agency, I am wondering about the following when it comes to the connection between persons, each its own center of value deserving dignity, value, and response as a person. The question is. if the real is always concrete and individual, yet through empathy we are able to universalize each individual so that eachis its own center of value within a community of fellow centers of value (each is its own "I" so to speak), that it is nevertheless possible to lose a sense of communityamong the particulars we are universalizing. So in other words, does someone like Max Stirner, for example, make the same mistake as the object ontologists in having each I universalize into its own Absolute such that any chance for empathic community is lost due to that particular I being so absolutely private and distinct from all others that it is always collapsing back into its own universality, thus eliminating the very possibility of any real community or connection, any real contact or feeling, or any communication between each 'I'? Or, on the other hand, is it the case that for Stirner, universality is commens, and in that very collapse there is an inner form of empathy that is the same as the outer extension of touch, feeling, prehension, or whatever modes of interaction allow communication between particulars? This would mean that any "vicarious" form of causation (connection) between them would not be required. No "magic" needed.
Thinking about Stirner and personalism leaves me torn. There seems to be two very different and distinct dimensions at work when one considers Stirner and personalism. Stirner's "ownness" means each One is a Unique One, each particular itself Absolute. This uplifts each individual self, or subject, or person, or agent, to the infinite degree of value it ought to have in being One. Yet, personalism allows for individuals, selves, subjects, agents, to allow their own current status of value to meet the status of value had by another. This is especially apparent in connections involving suffering, to attempt to feel what others do in lack and in need. (See for example Jean Vanier's Becoming Human - I would also point out the work of Robert Spaemann, Jacques Maritain, or Wojtyla's Person and Act.)
Obviously Stirner's "egoistic" (or better, "individualistic") personalism is very, very different from its speculative theist roots. But whether "individualistic" personalism or personalism proper (idealistic personalism), both are extremely preferably beginning points to ontologies which begin from the category mistake of seeing persons as "objects" from the start.
Any subject or agent is not a "thing" - persons are not "things," persons are not "objects." This is the sort of thinking that leads to murder, torture, and genocide, not only of "human" persons, but of non-human persons such as non-human animals. This is why object-oriented ontologies are not able to complete the ethical projects they propose to begin - especially ethical projects dealing with non-human persons (i.e. animal ethics, but there are issues with how it sees environmental justice).
For object-oriented ontology, it seems that ethics is impossible if only because in its treatment of value something quite necessary for ethics is lost. Namely, the notion of a "to whom" might we attribute such a value. In other words, object oriented ontology is unable to recognize the notion of a "subject of a life" and how non-human beings especially (animals) are not objects or "things" but rather are fellow subjects-of-a-life. This is not to anthropocentrically raise up the non-human to some supposed "higher level" of consciousness and feeling occupied by the human being, but nor is it to categorically drain all beings of subjectivity in fear of subjectalism and render all to the common value level of "objects' either.
To see beings as fellow "subjects-of-a-life" is to accept the notion of "ontological parity" (cf. Justus Buchler's Metaphysics of Natural Complexes) among and between any and all beings not just in terms of reality status - that nothing is more nor less real than anything else - but also in terms of axiological value: each being is equally infinite in its dignity, worth, and valueso far as it exists...in whatever way it exists. It is from personalism that we inherit the strongest alternative to the kind of thinking that in fear of anthropocentrism reduces all persons to the level of non-personal objects. And this is why ethics shall forever be impossible for object oriented ontology. It is, afterall, object oriented.
Eighth International
Congress on Ecstatic Naturalism
2018 Theme: Mind,
Semiotics, and Symbols in Nature
Drew University,
Madison, NJ – April 13th and 14th
Co-Chairs:
Leon Niemoczynski (Moravian College) and
Robert S. Corrington (Drew University)
All papers, meals, wine,
beer, coffee, and non-alcoholic drinks will be in the Founder’s Room of Mead
Hall (Administration Building)
Friday April 13th
Registration Table Open all Day and Tomorrow by Desmond Coleman
9:00-10:10: Cosmology
“Re-Imaging the Human Mind
in the Mysteries of Space-Time and the Existence of Gravitational Waves” – Moon
Son (Yonsei University)
“Ecstatic Naturalism and
Quantum Physics in Terms of Consciousness”- Wang-Eun Serl (Drew University)
10:30-11:40: Semiotics
“Ecstatic Naturalist
Semiotics of the Sexed Body” – Susan Erke (CUNY)
“Relations and Insides:
Using the Semiotic of John Deely to Think Natural Interiority” – Desmond
Coleman (Drew University)
11:50-1:00: Psychoanalysis
“The Spirit In-Between the
Pulsing Heart of Nature: Interrogating Iterative Nihilation as Integral to
Ecstatic Difference” – Frank Scalambrino
“Absolute Void and Bleak Cosmos” – Leon Niemoczynski (Moravian College)
Lunch 1:00-2:00
Group Photograph 2:00-2:30
2:40-3:50: Mind in Nature
“Mind, Extended. or
Artificial, or Naturalized?: An Ecstatic Naturalist Quest for Mind and Nature”
– Iljoon Park (Methodist Theological Seminary)
“Human Mind and Nature’s
Mind” – Gene Nasser
4:10-5:20: Eco-Theology and Panpsychism
“A Study of
Eco-Cosmological Theology from a Naturalist Perspective” – SooYoun Kim
“As so Many Sense-Organs
of the Earth’s Soul: The Continuing Relevance of William James’s Reflections on
Panpsychism “ – Jonathan Weidenbaum (Berkeley College)
5:30-6:00 Announcement of the Ralph Waldo Emerson Prize for
the Best Paper by a Junior Scholar ($500)
Dinner and Reception 6:00-7:30
7:45 – Panel: Interview of Dr. Robert S. Corrington by Dr. Leon
Niemoczynski
“Questions
Concerning Mind in Nature”
Saturday April 14th
9:00-10:10: Expression of Mind
“On the Participation of
Nature in the Emergence of the Sacred: Bateson’s Ecology of Mind, Ecstatic
Naturalism, and Environmental Ethics” – Sarah O’Brien (Drew University)
“Deep Pantheism: Nature
Naturing and the Problem of Consciousness” -Thomas Millary
10:25-11:35: Metaphysics
“Transcendentalist
Metaphysics of the Semiosis of Nature” – Nicholas L. Guardiano (Southern
Illinois University)
“The Object Objects: An
Animist Turn to the Visceral Semiospheric Commens” – Emile Wayne (Drew
University)
11:50-1:00: Other Thinkers
“The Post-human and
Today’s Understanding of Paul: ‘The Remnants,’ ‘Becoming’ and the Ecstatic
Naturalist Mind” – Ick Sang Shin (Sunkonghoe University)
“To Find Reality: Bradley
and Ecstatic Naturalism” – Guy Woodward
Lunch 1:00-2:00
2:10-3:20: AsianReligion
“Learning from Water: A
Daoist Ecstatic Naturalism” - Jea Sophia Oh (West Chester University)
“Thinking ‘Creative
Integrity’: Non-Coercive Ethical Agency in Ecstatic Naturalism and Confucian
Rule Ethics” – Joseph E. Harroff (East Stroudsburg University)
3:35-4:45: Community and Cosmos
“Beloved Community as
Cosmic Symphony” – Rory McEntee (Drew University)
“ Peirce and Ordinal
Psychoanalysis: A Jungian Approach” – Robert S. Corrington (Drew
University)
Concluding Remarks
Refreshments: Dinner on your own
Special Korean Session – Monday April 16th at 3:00 in
Seminary Hall
“The Mind and Nature in
the Prophetic Tradition” – Ji Eun Park
Philosophy’s Religions: Challenging Continental Philosophy of Religion
International Conference, 5th – 7th September 2018
Faculty of Theology, University of Ljubljana, Slovenia
Keynote Address: Jean-Luc Marion
Continental philosophy of religion (CPOR) has succeeded in many ways to question modern divides between philosophy and theology, thus opening up new, postmodern possibilities for encounter and dialogue. However, this process also has been perceived with suspicion from both sides. On the one hand, some philosophers accuse CPOR of a crypto-theology that colonizes philosophy; on the other hand, theologians often regard it as a Trojan horse designed to further weaken the fundaments of religion. This conference wishes to examine the complex relationship between contemporary philosophy and religion/theology by turning its attention to the vast field of phenomenology and hermeneutics. Its major tasks are to unveil the variety of religious topoi implicit within these disciplines and to further assess their potential for dialogue with theology.
Recent French phenomenology has expanded upon the notions of phenomenality, rationality, and the overcoming of metaphysics. Thinkers such as Levinas, Marion, or Henry have altered the very notion of transcendence and thus became valuable interlocutors for theology. Levinas’ work has been appropriated within theology, even within Catholic dogmatics, to the point of provoking some opponents to mock of his becoming a new Church father. In general, there is increasing awareness among theologians that theology cannot immunize itself from the ongoing weakening of traditional metaphysics and its assumed overcoming. Marion’s phenomenological thought has perhaps the highest, yet vastly unexplored potential for theology to respond to this challenge. What is required, on the one hand, concerns a thorough consideration of Marion's theoretical presuppositions without too quickly domesticating his terminology (e.g., saturation, revelation, gift, etc.) within a theological discourse. From the side of philosophy, on the other hand, Marion’s phenomenology rightly demands an attitude of bracketing the recurrent prejudices concerning a hidden theological agenda. Given this, the critical reception of this work allows and even necessitates the pursuit of general questions (as does every phenomenology of religion) in our search for a fragile equilibrium that neither hides behind a "methodological atheism" nor drifts into an unavowed theology. But tracing the line of demarcation also is an issue for theologians: are those philosophical topoi bearing a strong religious affinity (e.g., the call-response structure, topologies of the gift, love, gratuity, etc.) that we find at work in contemporary French phenomenology of religion (including thinkers like Chrétien, Lacoste and Falque) compatible with concrete religion(s) and their theology(ies)? And if so, to what degree? Do re-appropriations of Christianity (such as in the case of Henry's phenomenology or Vattimo's hermeneutics) deepen and enhance religious discourse, or do they rather run the risk of violently distorting the original self-understanding of a concrete religion?
Unlike phenomenology, hermeneutics always has maintained strong ties with theology, especially within a Judeo-Christian context, since this tradition was one of the birthplaces of hermeneutics. The kerygmatic character of the Christian message and its inherent historicity still forms a natural affinity to philosophical hermeneutics, which, since Heidegger, has extended its ambitions to promote an all-encompassing role of understanding, overshadowing and replacing the role of ontology. But this development of hermeneutics has led, simultaneously, both to proximity with and distance from theology. The constant weakening of ontology (disqualified as a strong and violent metaphysics of presence) has put in jeopardy the concept of transcendence, which traditionally has been at the core of religious self-understanding. This deconstructive (Caputo) and “nihilistic” tendency of hermeneutics (Vattimo) has not been accepted without contradiction. Indeed, it recently has been countered by its “metaphysical” opponents (to use Grondin’s terminology), who advocate for a “constructive” ideal of Gadamer’s method and for the reconciliatory character of Ricoeur’s hermeneutics. In Greisch’ hermeneutical anthropology, to mention just one example, still remains the “function meta” after the decline of traditional metaphysics. Finally, a truly unprecedented challenge for religion/theology is raised by the recent turn of hermeneutics towards sensibility and corporeality. This twist is recognizable not only in “carnal hermeneutics” (Kearney), but also in inquiries into the cosmic dimension (cosmopoetics in Caputo) or the “sensible transcendental” (Irigaray). All these lead to new, explicitly “material” understandings of religiosity.
As this short description has demonstrated, it is difficult to assess whether it is within the philosophical or the theological landscape that the variety of contemporary re-conceptualizations of the religious incites greater controversy: to start this inquiry, explore the related controversies, and assess their potentials for both fields, is the major intent of this conference. Thus viewed, it seeks to provide a place of encounter for different approaches to religion within the broader context of phenomenology and hermeneutics. It also welcomes contributions from other relevant disciplines – in particularly theology, with its own internal diversifications and confessional differences – that might help highlight the afore-mentioned tensions, and enrich the dialogue between philosophy and theology today.
Conference language: English
Paper proposals with the title of presentation and an abstract of no more than 200 words should include the author’s full name, contact address, institutional affiliation and academic position. Please send them to luka.trebeznik@teof.uni-lj.si.
Abstract submission deadline: 10th May 2018.
Notification of acceptance: 1st June 2018.
Participation fee: 50 EUR
Organizing committee: Branko Klun (University of Ljubljana), Michael Staudigl (University of Vienna), Lenart Škof (Science and Research Centre, Koper), Luka Trebežnik (University of Ljubljana)
Insightful as ever and just plain interesting, Reza from Toy Philosophy blog analyzes Euclid's Elements in Part 1 of a philosophy of mathematics thriller. Thus, I repost the below but - as always, please visit the original as well, even if only to survey the layout. (As an aside, the student taking my Philosophy of Mathematics independent study has been accepted to a paid internship at MIT this summer. She is brilliant and while procrastinates, produces beautifully elegant work. She and I are both learning much about the deep and at times murky philosophical theory which underpins all of mathematical thinking.)
In reposting the below I leave the post in its original form. Typically I italicize posts to indicate that they are not mine, when I repost others' blog posts. In this rare case I leave as-is, only because the post has so many important titles and translations that italicizing it would take away from its coherence.
Among the greatest mathematical treatises in the antiquity and beyond, no title matches Euclid's Elements in simplicity, elegance, popularity and sheer hair-raising brilliance of analytic imagination. It is a book that is accessible to any person who wishes to initiate into that fathomless realm we call mathematics. But the same thing can be said about Elements's philosophical depth. Elements is in fact a book in which the boundaries between mathematics and philosophy completely fade. In this marriage between philosophy and mathematics via the geometric method, we see a form of intuitive mathematics whose results are both sophisticated and non-trivial even in terms of modern mathematics, and a philosophy which points towards possibilities of formal and systematic thinking.
The aim of this series is to dissect the tissue between geometrical and philosophical problems and tropes in Elements, using concepts and ideas situated at the nebulous interstices between philosophy, logic and mathematics. The first few installments will focus on the overall characteristics of the Euclidean universe. But as we proceed, we will shift the attention toward analysis of particular examples.
If you remember the school days, you recall your teacher treated Elements in terms of analytic geometry alone. But Elements is equally a work of philosophy. While it is quite controversial to claim that Euclid was a Platonist, we can imagine that the philosophical climate during the life of Euclid was saturated with Platonic ideas, above all the doctrine of forms or ideas. Even though Euclid might not be at the end of day, a platonist, he nevertheless is preoccupied by the same philosophical concerns which preoccupied the Plato of the late period, particularly the Plato who revised his early doctrine of forms beginning with Theaetetus and brought it to maturity in Philebus.
Suffice to say that the very core of Elements deals with the dialectics between universal forms and fleeting particularities. But this dialectic as I will elaborate is not Aristotelian insofar as it involves something more than the existential interpretation of mathematics or to be more specific analytical geometry—i.e. the correlation between the genus and species—where all the proof of a general concept demands is finding or constructing a particular instance that can be subsumed under the general concept, like this rectangle and rectangularity as such. The framework in which the Euclidean oscillations between particulars and universals is expressed is what Plato calls craftsmanship or world-building which is an enterprise undertaken by the mind. The mindcraft draws as its raw material physical becoming which is only endowed with forms of elemental powers and no higher forms. The process of the craft itself proceeds by way of patterns. A pattern is, however, not a thing, but that by which a thing is structured, made or designed. Moreover, patterns are not discrete. For at each level in the hierarchy of particularities and universalities (e.g., these straight segements-cum-acute angles, this triangle, this particular kind-of-traingle and triangularity as such), there are such uniformities as patterns mainly by virtue of how—rather than merely what—things hang together—that is, the question of structure as the designation of Being.
Yet patterns are not exhausted by how and what things hang together, for they can be patterns of how different patterns hang together. For example, think of Book 1, propositions 2 (henceforth, I.2) in Elements which we will have the occasion to examine in the next installments. In this demonstration, you require not only the patterns by which lines hang together, but also how circles and a straight segment hang together (for the purpose of constructing an equilateral triangle). Furthermore, you should know how different circles, and the vertices of an equilateral triangle—i.e. composite patterns and simple patterns—can hang together in the right way so as to build a diagram that demonstrates the proposition.
Source: Wilfrid Sellars, The Soul as Craftsman
From this brief discussion on the world of Plato-Euclid mindcraft, we can conclude that the process of the craft consists of sensory stuff, patterns after which things are made, patterning patterns (patterns for organizing and structuring other patterns which are greater wholes) and recipes which are instructions concerning how and what patterns pertaining to what material ingredients and/or lower patterns should be mixed together. But the objective of a recipe is to make a product that can in turn be incorporated as an ingredient into another recipe. Therefore, in addition to the above components, there should also be something like a craft test or demonstration whereby
Thus recipes are, broadly speaking, objective principles or practical intelligibilities which have as their ingredients even theoretical intelligibilities as well as more mundane ingredients (e.g., sensations, material things which might be in fact the products of other materials-cum-forms-cum-recipes such as a tanned leather with tumble finishing or in the case of Elements, an equilateral and equiangular pentagon).
Source: Oliver Byrne's edition of Euclid's Elements (II.7)
In short, recipes whose equivalents in Elements are procedural diagrammatic constructions represent the engines of the craft by which not only we can make things but also, demonstrate how materials, products, and even single recipes hang together such that the ensuing craft is a universe—a world-soul—in which all (spatial) relations between things (particular instances) and forms (universals), or forms and forms are articulated and rendered intelligible. But this resulting craft or universe can also be imagined as a universe in which ever more complex forms or higher mixtures (to mikton) can be made. An apposite metaphor for this universe, is a river whose source is a mountain. The limits of the mountain is the earthly ground and a given sky which is demarcated by the snowy peaks. Even though the river's origin is limited by material sediments and heavenly forms—the melting snow—the river soon finds its path along the geodetic path to the sea where strange fauna, forms and adventures await us. But the course of the river is always tortuous as it passes through forests of intermediary forms before it shapes estuaries where the tidal waves of complex forms and discrete instances and patterns meet together. This is nothing other than Plato's vision of the revised doctrine of ideas—the craftsmanship of the soul—where the craft of the mind coincides with a new bottomless expanse of forms. The possibility of constructing a new world or a nested hierarchy of forms from the limited resources of the existing world is the sure conclusion of this vision.
In this respect, the recipe or the ongoing instruction regarding how to navigate between the particular and the universal, local and global has something more than just material ingredients and forms. The recipe consists of elementary ratios and proportions which in Euclid's universe can be compared with principles in Elements which are common notions (principles1) and postulates (principles2) which respectively signify undergirding assertions and elementary construction recipes. Common notions are quantitive assertions or intuitive axioms such as 'Things which are equal to the same thing are also equal to one another.' Postulates, on the other hand, instruct certain kinds of elementary constructions like Postulate 2 that states, 'To produce a finite straight line continuously in a straight line.' Whereas, the relations between principles1 and theorems are deductive to the extent that the truth of the conclusion is contained in the truth of the premise, the relations between principles2 and problems are not deductive for the construction cannot be considered as a deductive inference from the postulate.
Moreover, the focus of a recipe is not restricted to pure construction. The idea of craft as Plato has suggested also entails a function called 'limiting' (to peras). In Theaetetus, Plato speaks of a function that 'freezes or fixes the flux of things' (183a7), or 'make things stand still' (157b7) and limits that which is unlimited, or more precisely, indeterminate (apeiron), thus bringing it into determination and intelligibility. This limiting or determining function is attributed to that of language and logos and is closely associated with measure (metron) which depending on the context can be epistemological, ontological or axiological. In the epistemological context, metron signifies the quantification of the apeironic flux or the continuum of greater-and-smaller into intelligible degrees or grades (e.g., being hot, warm, lukewarm and cold, or being extended this-such and being extended that-such). It is precisely the study of this limiting function that later on via the influence of neo-Platonists on scholastic philosophy culminates in Nicole Oresme's work (Tractatus de configurationibus qualitatum et motuum) on diagrammatic configurations known as latitudes of forms—intensive and extensive elaborations of qualities— which in turn paved the road for articulation of differential equations of motion that scaffolded the revolutions of Copernicus and Kepler.
It is, however, important to realize that quantification for Plato so as for Euclid is not exclusive to the domain of numbers but can also include geometrical-spatial extensions. Once the limiting or determining measure in the latter sense (e.g., line as the limit1 of surface, or the definition of angle as the limit2 of its construction) is established, we can derive determining spatial relations between determined or limited geometrical figures. Only when such determinate spatial relations are available, a diagram can be constructed on previous diagrams so that we can move from one proposition or problem to another.
Finally, in addition to the recipe, there should be such things as craft tests or in Euclid's world, demonstrations. If the Euclidean construction is understood as effecting what we aim to effect via diagrams, demonstration can be thought as a stepwise procedure for confirming that the construction has indeed effected what it says it has. Throughout the course of demonstration that covers every step of the construction rather than only the final result, tests can be executed either as objections (enstasis) or cases made against the current construction or diagram. If the former i.e. objection wins, the entire construction is null and void. But if the case—which can be understood as a diagram model that serves or effects the same purpose in a different context—wins, the construction is not necessarily erroneous, since it might prove or demonstrate the same thing in another diagram or geometrical context (allos).
Moreover, demonstrations are applied to two different aspects of the diagrams or products of the craft:
(1) those attributes of diagrams which pertain to participation (methexis) of elements or part-whole relationships. Such methexis-related aspects can include mereological relationships between regions, and segments or lines which demarcate boundaries as in the case of the notorious diagram in I.1 where two circles whose centers are the two endpoints of the same straight segment should intersect at exactly one point. But there is no explicitly stated rule in Elements guaranteeing that such a configuration would invariably result in an intersection point. Imagine circles made with lines with different breath or thickness, or made of squiggly lines. The result won't be guaranteed to yield an exactly one intersection point. Yet if we see the implicit desideratum of intersecting circles in terms of how the components should hang together from a mereological perspective we can say that given such and such regions and boundaries appear to participate mereologically, the two circles should in fact intersect.
(2) The second aspects are what can be dubbed as analogical (analogon) attributes in the sense that Plato defines them ('ana ton auton logon'), namely, ratios, proportionalities and the equality of non-identicals. Whereas methexis-related aspects are based on the appearance of diagrams, analogical aspects are not concerned with how diagrams look like.
Attributes (1) and (2), therefore, roughly correspond to what Kenneth Manders in Diagram-Based Geometric Practice calls exact (analogical aspects) and co-exact (methexis-related aspects of diagrams) attributes.
The final products of the craft—i.e. constructions which have withstood demonstration or validation—are mixtures (mikton) or determinate complexes which are demonstrated diagrams. Only once such mixtures are available, it is possible to use them as ingredients of another craft or construction.
At this point, it is perhaps necessary to make a brief point about the nature of Euclidean demonstrations as Platonic craft tests. So far I have used the words demonstrations and proofs interchangeably. But demonstrations are not exactly proofs in a technical modern sense—only in the very loose sense of proof (we will return to this point in next installments). Furthermore, even the word demonstration is not accurate for describing the system of Euclid. The phrase quod erat demonstrandum not only should not be translated as that which was require to prove, but also itself is an inaccurate Latin translation of the Greek verb deiknumi whose precise translation is the Latin monstrare i.e. to show. In Second Analytics, Aristotle fully distinguishes deiknumi as an informal and epistemological investigation from apodeiknumi or apodeixis (proof) which has an exact connotation within the lexicon of syllogistic logic as an inference that draws certain conclusions from certain premises. While this comment might appear as a petty etymological indulgence, as Andrei Rodin has detailed in The Axiomatic Method and Category Theory, it indeed has a significant implication given Euclid's own remarks and Proclus's commentary on Elements. The difference between monstration (Euclid's focus) and demonstration vis-à-vis proof suggests that we can arrive at sound and non-trivial results in mathematics without relying on an axiomatic method in the sense we understand it today. Even the Euclidean givens (data) are not exactly formal axioms since not only they are underdefined / undefined but also all the rules for building on the data are not explicitly stated.
Within the framework, we can now see that the genius of Euclid's Elements is not as much in devising new feats of proof and demonstration as it is in setting up a generative space—a unified process of craft—that accommodates all previous works done in analytic geometry. 1. Plato-Euclid's World of Mindcraft
Having gone through this brief introduction, we should now ask: what is exactly Platonic about the universe of Elements? Absent a a more detailed response, the above introduction—particularly, the comparison between the role of construction in Elements and the process of craft in the late dialogues—would be hardly anything other than an impressionistic account. Yet to answer this question, it is also imperative to suspend some of the most dogmatic clichés about the work of Plato inherited from the misinterpretations of Aristotle and neo-Platonists (e.g., the Third Man, the equivocations of ideas with numbers a la Pythagorean arithmosophy and the misrepresentation of the Good as the divine demuirge) as well as their almost exclusive attention to the dialogues of the early and the middle periods. Plato is notorious for being the most watchful and unforgiving critic of himself. So the answer simultaneously calls for a direct engagement with the dialogues, particularly, the later ones and a critical correction of Aristotelian-neoPlatonic commentaries which make almost the entire body of Platonic studies until the late nineteenth century—a trend that comes to an end with the rise of Marburg, Tübingen and analytical schools of Platonic studies as represented by figures such as Natorp, Reale and Vlastos.
We know that after the second trip to Syracuse, Plato became critical of his early doctrine of forms (e.g., Parminedes) as represented in the works of the middle period such as The Republic. He began to see forms as classificatory universals, namely, categories or ta koina (see Theatetus and Sophist). As ta koina, forms or ideas no longer have the earlier characteristics of the Socratic and Pythagorean theories of forms, or at least such characteristics are not prominent anymore. The inception of this new doctrine of forms or ideas begins with the transitional dialogue Theatetus, but it is only in Philebus that Plato gives a complete account of his new doctrine.
According to this new thesis, the aim of the doctrine of forms is Demiurgen, world-construction or craftsmanship of the mind. In Timaeus, we are dealing with god as the Demiurge but in Philebus, this abstract divinity is suddenly replaced with a neutral word, to demiurgen. It is now the human mind that is akin to the good which is beyond all gods and beings and even truth and beauty, and not the god as the ideal of the nous. This manifestation of the good is like a recipe or an objective principle for building worlds. It is a recipe precisely in the sense that Wilfrid Sellars talks about a recipe for making a cake, a recipe consisting of theoretical and practical intelligibilities.
If you have made a cake from scratch, you know very well that it is not an easy task. For a a recipe for making a cake—unlike a recipe for making a soup—involves precise ratios, proportions and stages of how and what elements should be added together. The formulas of this recipe are what called objective principles or rules as in contrast to the social nomos or conventions. To build a house as a shelter (the external purpose of the construction), we ought to abide by such and such principles like taking care of the foundation, beams, etc. The specific formula of how we lay the ground or what beams—made of out of what materials—we use might change over time, but the objective principles endure. A house needs a foundation and a ceiling even if the foundation is bottomless and the ceiling extends to the sky. These principles pertain to the domain of forms or ideas. While the nomos is always prone to corruption (as in the case of the codes of building issued by a corrupt builders guild which dictates that all houses should be built out of the material ingredients over which it has sole monopoly), objective principles are genuine objects of rational examination and revision.
Parallel to this Platonic account, the fleeting shadows on the wall of the human cave could not even be recognized if some dim light was not present in the cavern. This light is not a literal analogy for purity, it is rather a metaphor for intermediating forms or universals, the mathematicals or analytic idealities. These are construction principles which intermediate between pure ideas and eikones or sensory shadows. In this sense, Plato is the enemy number one against the myth of the given, for he thinks that the structuring factor is not within the domain of sensory fluxes—the fleeting shadows or eikones—but in the dim light i.e., intermediating forms which imitate the light of the sun qua pure forms or generalized structures: that is to say, mind as the dimension of structure.
In Philebus, Plato makes that claim of impiety for which Socrates was executed. He says the human mind is akin to the Good. We know that what Plato means by the Good in Philebus is the principle of structure (the kernel of intelligibility and intelligence which is even more fundamental than truth, beauty or justice). A few pages later Plato tops up his thesis with a new claim, 'and the good is beyond all being'. In other words, Plato suggests the structure—or the mind as a configuring or constituative element—is the very factor by which Being comes to the fore and can be talked about coherently. Plato's articulation of Being in terms of intelligence or mind is quite similar to the view of the mature Parmenides who has relinquished the early Eleatic confusion of Being and thinking, and instead interprets the thesis of 'Being and thinking are one' as thinking or structure being the very designation of Being. To speak of Being without the dimension of structure or mind is the apotheosis of sophistry and the aporia of the unintelligible (cf. Lorenz Puntel's Structure and Being).
However, the dimension of structure or in Plato's terms the limiting (to peras) is not an index of solipsistic idealism, for it requires a fourfold view of the universe qua structure where episteme not only gains traction upon an external world but also thoughts or more generally, intelligence (nous) is no longer passive. Intelligence is now defined in terms of what it does—the unfolding of the intelligible even that of itself or the enrichment of reality—and not in terms of passive receptivity of an external reality. Accordingly, the Platonic fourfold view is defined in terms of an activity called craftsmanship whereby through various ingredients, structuring factors (logoi) and principles (dialectica) intelligence makes itself and reveal the intelligible dimension which is that of Being. But insofar as there is no a priori limit to the intelligible, there is no limit to the self-cultivation of intelligence or the poesies of mindcraft either. The twist in this scenario is that the mindcraft or intelligence posits qua an an active rather than a passive factor of intelligibility, it also has the capacity—as Rosemary Desjardins elaborated—to posit (tithemi) a new kind of reality pertaining to both Being and itself (see Plato and the Good, p.61).
The Platonic fourfold as presented in Philebus is nothing but a new interpretation of the analogy of the divided line in The Republic. The divided line is a diagram of how global conditions of thinking, action and value can be related to the local conditions. It consists of four segments which give us four domains with their corresponding modes of cognition/sensation, episteme (knowing) and their objects. From segment one to the segment four we have eikasia(eikones), aisthesi or pistis (aisthêta), logos dianoia(mathêmatika) and epistêmê(ideai).
The genius of this diagramatic analogy is in identifying the extreme segments (segments 1 and 4) under two modes of relations to time. The true forms or ideai are timeless or time-general whereas the sensory eikones are time-specific or temporal. In a sense, the divided line is about how what is timeless connected with what is temporal, how the oneness is mixed with the multiple, or how pure forms gain traction upon and are connected with the sensory shadows. The answer lies in the intermiadting domains or segements which are represented in the divided line as mathêmatika and aisthêta / pistis.
So what is the significance of these intermediating levels? Recall that sensory fluxes of eikones or imagistic impressions are too transitory to be arrested as anything you might call a sensible object. Pure ideas in a similar vein are too detached from particularities to gain traction, by themselves, on the worldly or the cavernous affairs. Another problem is the question of how oneness (of pure forms) as an organizing principle comes into contact with the multiplicity of things. The ideas are multiples but individually each idea is always a unique kind of form (i.e. it is one). On the other hand, eikones or what you might call registers of the apeiron—that is, the indeterminate and transitory flux of smallers and greaters. At the level of the first segment which is that of eikasia whose objects are the fleeting imagistic impressions eikones, there is no such a thing as multiplicity of things. Why? Because even multiplicity of things require a principle of unification. It is only when we organize the fleeting sensations as the affects impinged upon us by one and the same object (here, the object is the higher principle closer to ideas or formal constitution) that the fleeting sensible shadows become multiple things, this shadow-puppet, that shadow-puppet, etc. So the question of multiplicity does not even arise at the level of pure sensation. It only arises at the level of opinions or dogmas regarding the appearance of objects. In otherwords, it is only when the mind posits a thingly whole (object or in Kant's sense gegenstand) which binds together different properties that we can talk about multiplicity of either properties or sensible things. The following quote by Desjardins should shed some further light on the matter:
For, on the one hand, a physical object seems to be distinctly different from any or all of its properties: they are quite separate kinds of things; on the other hand, what is exactly a physical object over and above its physical properties? While there is no difficulty in thinking of a physical object that has no actually perceived properties, our notion of an object seems nevertheless to be such that it does not make sense to talk of a physical object that has no perceivable properties: such a notion of a bare particular seems incomprehensible. This of course, only exacerbates the question, however, for what then is the relation between an object and its properties? We seem to be hoist on a dilemma in which, on the one hand, we want to say both that, in some elusive sense, the object and its properties are different, and that, in no less an elusive sense, they are somehow the same; and on the other we want to say that the object is neither simply the same as, nor simply different from, its properties. But, as the Parmenides suggests, if the relation between two things is neither sameness nor difference, then perhaps it is that of whole and part (l46b3-5). Plato's model for such a relation does seem in fact to be what he conceives of as a whole of parts, where on the one hand, the whole is nothing other than the parts (there is nothing added to the parts), on the other, the whole is indeed other than (i.e., more than the sum of) its parts. In short, while a whole is analyzable into its parts, it is not reducible to those parts. Thus as I understand Plato, while a physical object is analyzable into its physical properties, it is nevertheless not reducible to those properties.
Thus, the whole of the sensible object—like the moving shadow on the wall—we can conclude, is not given by sensory fleetings, but is in fact the product of what can be called transcendental constitution—a semblance of what Plato calls intermediary forms qua mathematicals. Therefore, the multiplicity of the physical furniture of the world is not given to us through sensory eikones, it is engineered—a la positing a new kind of reality—by the semblance of the higher principles which are mathematicals qua objects of logos dianoia.
But now a new question raises its head: What are mathematicals and what is their role?
I will answer this question in the next installment, until then, ciao.
